AlphaDogs Returns Thief to Crime Scene in 4K Resolution
Wong hopes that audiences will feel as though they are part of the story by getting the chance to play detective by piecing together the fragments of the protagonist’s broken mind.
Burbank, CA, May 21, 2015 --(PR.com)-- AlphaDogs is pleased to announce they have completed work on the new film Revision, where a petty thief seeks to atone his past by returning to the house he robbed.
It was Director Zac Wong’s vision to not only tell a good story but also explore how a film could portray the overlap of human consciousness and memory. Wong explains, “I was fascinated by the way that we tend to experience several disconnected events in our past simultaneously. I found the feeling of guilt to be the most palpable manifestation of chaotic memory and a great subject for this film.”
AlphaDogs assistant editor Rachel Bartlett and colorist Sean Stack worked collaboratively as team using a round-trip workflow from Premiere Pro to DaVinci Resolve to complete the finish on the film. Bartlett explains, “We decided on a Premiere Pro and Resolve round-trip workflow because they both work natively with RED 4K media which allows a clear path to a smooth delivery.”
Resolve has a RED camera file management command known as R3D Trim and it was utilized to move the camera media used in the final locked sequence to the shared server at AlphaDogs. The fast fiber connection to the trimmed source files allowed Stack to navigate quickly, review color grades in Resolve in real-time and render as fast as the GPU would allow, saving valuable time and money. “The round-trip workflow worked extremely well for this project,” said Stack. “Resolve had no difficulty rendering out the custom 4K frame size known as 4K Scope (4096 x 1708) for the final trip back into Premiere Pro.”
Specific color choices made by Stack during color correction not only added to the suspense of the story, but also kept the film’s continuity in check. One scene in particular involved a kitchen sink close-up shot with very warm tones. Stack chose to match a cooler version of the sink as it appeared in a wide shot earlier in the story, allowing for a consistent look throughout the film. “The good news is Resolve is such a powerful tool for color grading, that we had a chance to try both warm and cool temperatures with scenes and truly make a creative decision on what looked and felt the best,” said Stack. Wong comments, “We loved that Sean was able to make subtle adjustments to the color on a micro level that allowed for our characters and story to shine.”
Independently owned and operated, AlphaDogs provides an indie-friendly work environment and has helped make the post-production process both affordable and less stressful for the independent filmmaker for the past 12 years. “Working with the team at AlphaDogs was especially easy. They were not only friendly and accessible, but also responsive and intuitive to our needs as filmmakers,” said Wong. “We were very happy with the final delivery and that we delivered before the deadline. We would use AlphaDogs again because of the excellent customer service and the team’s expertise.”
Revision will screen at various festivals later this year. Wong hopes that audiences will feel as though they are part of the story by getting the chance to play detective by piecing together the fragments of the protagonist’s broken mind.
For more information visit https://pro-labs.imdb.com/title/tt4438280/
About AlphaDogs: Founded in 2002, AlphaDogs is an independently owned full service post-production facility located in the center of Burbank’s media district. AlphaDogs gifted team brings a combination of both creative talent and technical expertise paying extra attention to detail in delivering projects with a personal touch. State of the art editing bays, color correction, audio mixing, visual effects, production offices and equipment rentals are available. To learn more http://www.alphadogs.tv
It was Director Zac Wong’s vision to not only tell a good story but also explore how a film could portray the overlap of human consciousness and memory. Wong explains, “I was fascinated by the way that we tend to experience several disconnected events in our past simultaneously. I found the feeling of guilt to be the most palpable manifestation of chaotic memory and a great subject for this film.”
AlphaDogs assistant editor Rachel Bartlett and colorist Sean Stack worked collaboratively as team using a round-trip workflow from Premiere Pro to DaVinci Resolve to complete the finish on the film. Bartlett explains, “We decided on a Premiere Pro and Resolve round-trip workflow because they both work natively with RED 4K media which allows a clear path to a smooth delivery.”
Resolve has a RED camera file management command known as R3D Trim and it was utilized to move the camera media used in the final locked sequence to the shared server at AlphaDogs. The fast fiber connection to the trimmed source files allowed Stack to navigate quickly, review color grades in Resolve in real-time and render as fast as the GPU would allow, saving valuable time and money. “The round-trip workflow worked extremely well for this project,” said Stack. “Resolve had no difficulty rendering out the custom 4K frame size known as 4K Scope (4096 x 1708) for the final trip back into Premiere Pro.”
Specific color choices made by Stack during color correction not only added to the suspense of the story, but also kept the film’s continuity in check. One scene in particular involved a kitchen sink close-up shot with very warm tones. Stack chose to match a cooler version of the sink as it appeared in a wide shot earlier in the story, allowing for a consistent look throughout the film. “The good news is Resolve is such a powerful tool for color grading, that we had a chance to try both warm and cool temperatures with scenes and truly make a creative decision on what looked and felt the best,” said Stack. Wong comments, “We loved that Sean was able to make subtle adjustments to the color on a micro level that allowed for our characters and story to shine.”
Independently owned and operated, AlphaDogs provides an indie-friendly work environment and has helped make the post-production process both affordable and less stressful for the independent filmmaker for the past 12 years. “Working with the team at AlphaDogs was especially easy. They were not only friendly and accessible, but also responsive and intuitive to our needs as filmmakers,” said Wong. “We were very happy with the final delivery and that we delivered before the deadline. We would use AlphaDogs again because of the excellent customer service and the team’s expertise.”
Revision will screen at various festivals later this year. Wong hopes that audiences will feel as though they are part of the story by getting the chance to play detective by piecing together the fragments of the protagonist’s broken mind.
For more information visit https://pro-labs.imdb.com/title/tt4438280/
About AlphaDogs: Founded in 2002, AlphaDogs is an independently owned full service post-production facility located in the center of Burbank’s media district. AlphaDogs gifted team brings a combination of both creative talent and technical expertise paying extra attention to detail in delivering projects with a personal touch. State of the art editing bays, color correction, audio mixing, visual effects, production offices and equipment rentals are available. To learn more http://www.alphadogs.tv
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Alpha Dogs Post Production
Julie Leibovitz
818.456.4149
alphadogs.tv
Julie Leibovitz
818.456.4149
alphadogs.tv
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